Holden Street Theatres
February 19th 2011 04:43
:
One theatre complex worth visiting.
Holden Street Theatres
at 34 Holden St, Hindmarsh always bring a collection of theatre programs to us for the Fringe. This year is no different and some of the shows being produced and presented at the venues are listed here below.
I have sat through a collection of short plays, original local theatre and imported theatre from interstate and overseas. Always high production values and usually low budget - but the passion is usually alive and visible.
(next to Hindmarsh Soccer Stadium, FREE PARKING)
You're Not Like The Other Girls Chrissy
Presented by Holden Street Theatres & Caroline Horton
Written and performed by Caroline Horton
The extraordinary true story of Caroline's French grandmother's affair with a lanky tongue-tied English teacher (Cyril), set against the backdrop of the Second World War. Waiting at Gare Du Nord for the train that will reunite her with her fiance, this irrepressible Mademoiselle (Christiane) shares their love story: from a chance encounter at Cheadle tennis club to cosmopolitan 1930s Paris, before their inevitable separation by war.
Nominee of the Holden St Theatres Edinburgh Award 2010 & 2009 (for 'almost 10')
AUSTRALIAN PREMIERE
BOUND by Jesse Briton
Presented by Holden Street Theatres & Bear Trap Theatre
Compelled by the threat of bankruptcy, six mismatched young fisherman head in to treacherous seas on the trawler The Violet, competing against each other, life's tribulations and the forces of nature. Produced by the UK;s multi-award winning Bear Trap Theatre, Bound received The Scotsman's Fringe First Award, The Herald's Herald Angel Award and Holden Street Theatres' Edinburgh Award in 2010. Bear Trap works with new writing and devising to present bold new work, interrogating real drama through classical story telling, visual flair and musical vigour.
Winner of the Holden St Theatres Edinburgh Award 2010
AUSTRALIAN PREMIERE
My Filthy Hunt Written by Philip Stokes
Presented by Holden Street Theatres & Horizon Arts Ltd in Assoc. with Richard Jordan Productions Ltd.
My Filthy Hunt is a hilariously provocative tale of sex, death, drugs and biscuits in The Studioat Holden Street Theatres from 16 Feb to 13 March. This "stunning piece of theatre" takes an unnerving look at life in the 21st Century and what can happen when you lose someone you love. Razor sharp dialogue meets cutting edge physical theatre as Vicki, Lucy, Russell and Niffer take you on a whirlwind journey through their intertwining lives.
From the company that brought you Heroin(e) for Breakfast
AUSTRALIAN PREMIERE
Please click on the following link for our swanky Guide...
at 34 Holden St, Hindmarsh always bring a collection of theatre programs to us for the Fringe. This year is no different and some of the shows being produced and presented at the venues are listed here below.
I have sat through a collection of short plays, original local theatre and imported theatre from interstate and overseas. Always high production values and usually low budget - but the passion is usually alive and visible.
(next to Hindmarsh Soccer Stadium, FREE PARKING)
You're Not Like The Other Girls Chrissy
Presented by Holden Street Theatres & Caroline Horton
Written and performed by Caroline Horton
The extraordinary true story of Caroline's French grandmother's affair with a lanky tongue-tied English teacher (Cyril), set against the backdrop of the Second World War. Waiting at Gare Du Nord for the train that will reunite her with her fiance, this irrepressible Mademoiselle (Christiane) shares their love story: from a chance encounter at Cheadle tennis club to cosmopolitan 1930s Paris, before their inevitable separation by war.
Nominee of the Holden St Theatres Edinburgh Award 2010 & 2009 (for 'almost 10')
AUSTRALIAN PREMIERE
BOUND by Jesse Briton
Presented by Holden Street Theatres & Bear Trap Theatre
Compelled by the threat of bankruptcy, six mismatched young fisherman head in to treacherous seas on the trawler The Violet, competing against each other, life's tribulations and the forces of nature. Produced by the UK;s multi-award winning Bear Trap Theatre, Bound received The Scotsman's Fringe First Award, The Herald's Herald Angel Award and Holden Street Theatres' Edinburgh Award in 2010. Bear Trap works with new writing and devising to present bold new work, interrogating real drama through classical story telling, visual flair and musical vigour.
Winner of the Holden St Theatres Edinburgh Award 2010
AUSTRALIAN PREMIERE
BOUND
By Jesse Briton
By Jesse Briton
Much like a disaster movie offers a collection of characters we identify with to some extent, Bound deals with issues touched on in the original Alien film by Ridley Scott. Themes of Worker's Union pitted against the Company. Other unions and bonds such as family and partnership are threaded into the narrative, so by the time the journey of the play ends, we are feeling for the fishermen and appreciating the relative normality of their humble lives.
The magic of theatre is an element summoned to convince the audience that the world they are watching on stage is real. When you are comparing say, the movie, The Big Storm with this play, all you are lacking is the camera's magic cinematic view and some special effects. The drama is just as compelling, and the magic is the way these actors manage to use the simplest of techniques to create the energy and atmosphere of the environment they are at odds with.
This play is a small ensemble piece tracing the last movements of a crew of fishermen off the coast in treacherous weather. The men sing sea-shanties that punctuate most scene changes, as well as connect us to the long history of people and the sea. Small deceits are played out that have enormous consequences. Union concerns, multiculturalism and life values are chewed through as the fishermen are forced to enter waters they would rather not during a storm. The ensemble work between the cast is well measured as the play builds towards a shocking climax.
Theatre does not always set out to resolve issues, and the themes a work presents can sometimes appear like a high tide, all at once. In this play the themes ebb and flow along with the sea that encompasses most of the action. Given the lack of anything but humanly created self sustainable special effects, and the basic duality of live theatre  we are on a fishing trawler/we are in a theatre, Bound also suggests the real situation that all people are usually, in some ways, at odds with the system and the culture they accept as inevitably their own; and you know that saying about death and taxes...? Great piece of theatre, well worth the effort to go and enjoy.
Reviewed by David Jobling
The magic of theatre is an element summoned to convince the audience that the world they are watching on stage is real. When you are comparing say, the movie, The Big Storm with this play, all you are lacking is the camera's magic cinematic view and some special effects. The drama is just as compelling, and the magic is the way these actors manage to use the simplest of techniques to create the energy and atmosphere of the environment they are at odds with.
This play is a small ensemble piece tracing the last movements of a crew of fishermen off the coast in treacherous weather. The men sing sea-shanties that punctuate most scene changes, as well as connect us to the long history of people and the sea. Small deceits are played out that have enormous consequences. Union concerns, multiculturalism and life values are chewed through as the fishermen are forced to enter waters they would rather not during a storm. The ensemble work between the cast is well measured as the play builds towards a shocking climax.
Theatre does not always set out to resolve issues, and the themes a work presents can sometimes appear like a high tide, all at once. In this play the themes ebb and flow along with the sea that encompasses most of the action. Given the lack of anything but humanly created self sustainable special effects, and the basic duality of live theatre  we are on a fishing trawler/we are in a theatre, Bound also suggests the real situation that all people are usually, in some ways, at odds with the system and the culture they accept as inevitably their own; and you know that saying about death and taxes...? Great piece of theatre, well worth the effort to go and enjoy.
Reviewed by David Jobling
My Filthy Hunt Written by Philip Stokes
Presented by Holden Street Theatres & Horizon Arts Ltd in Assoc. with Richard Jordan Productions Ltd.
My Filthy Hunt is a hilariously provocative tale of sex, death, drugs and biscuits in The Studioat Holden Street Theatres from 16 Feb to 13 March. This "stunning piece of theatre" takes an unnerving look at life in the 21st Century and what can happen when you lose someone you love. Razor sharp dialogue meets cutting edge physical theatre as Vicki, Lucy, Russell and Niffer take you on a whirlwind journey through their intertwining lives.
From the company that brought you Heroin(e) for Breakfast
AUSTRALIAN PREMIERE
Please click on the following link for our swanky Guide...
FUNNY BUSINESS - THERE'S A GALAH IN TOWN HALL
BOUND
YOU'RE NOT LIKE THE OTHER GIRLS CHRISSY
STEVE HALL
JIMMY MCGHIE
ROB BECKETT'S BIG MOUTH
MY FILTHY HUNT
THE INTERMINABLE SUICIDE OF GREGORY CHURCH - DANIEL KITSON
BOUND
YOU'RE NOT LIKE THE OTHER GIRLS CHRISSY
STEVE HALL
JIMMY MCGHIE
ROB BECKETT'S BIG MOUTH
MY FILTHY HUNT
THE INTERMINABLE SUICIDE OF GREGORY CHURCH - DANIEL KITSON
Venue:34 Holden Street, Hindmarsh
Head Office: 166 South Rd, Thebarton 5031
P: 08 8223 1450 or M: 0409 603 273
Head Office: 166 South Rd, Thebarton 5031
P: 08 8223 1450 or M: 0409 603 273
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