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Fiona O'Loughlin - Super Sober
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Review | On a wing and a prayer
Fiona O'Loughlin rocks. This is a great evening of comedy. The woman arrived on stage here in Adelaide to a sold out show of well wishers, and proved totally worthy of such great goodwill. She is very very funny and I think you would be sad to miss her. David Jobling
The (Guinea) Pigs have it!
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REVIEW | G FORCE
Being a child at heart doesn't mean you are going to connect or even enjoy a movie advertised (pitched) towards children these days. Long gone are the days of a children's film containing family values, general morals or even child-like characters.
Since my first year in Primary School I was keen on Guinea-Pigs or Carveys. They are small, clean, not too noisy and each of them has an obvious personality. The first great tragedy of my life was the passing of Peggy, my very first guinea-pig. Oh how I cried. It was such a dark moment, I remember the great loss even now fourty-five years later, as if it happened yesterday
HOUSE OF THE HOLY AFRO
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HOLY AFRO
There's nothing more to be said except get along and see this show!
You will rarely get such a kooky collection of images and sounds and feel so strangely connected to them. The music is non stop for ninety minutes, the performances are fantastic and the atmosphere needs nothing more than an audience to get right into it. You! 
Review | After the End
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After the End
I believe London born playwright Dennis Kelly turns 40 next year; he's written many plays for stage and radio and these days is on commission to the RSC and the Royal National Theatre.
Like most playwrights he has some curious early work written for two actors, two handed plays or two-handers we call them. Two-handers are cheaper to produce in the theatre compared to a cast of more than two and they are very challenging tricky things to write. After The End was first produced in 2004 hot on the heels of Debris; both plays position a world for the audience that present a man and a woman in an unreal situation. Both plays deal with pain, love and loss
Ying Tong | A Walk with the Goons
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Adelaide Festival Centre
Review
The Great Sea-Goon, may his carcass smile, as I'm sure his spirit would, somewhat confusedly imagined the drying caterpillar in the puddle. "I wasn't expecting the rain", he cried, and so on so long as you count two knees. Yes, the surreal comedy of the manically depressed lives on in Roy Smiles' play Ying Tong A Walk With The Goons
REVIEW Lands End
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Hurry... Tickets Selling Fast!
Adelaide Festival Centre's CentreStage program presents
Compagnie Philippe Genty performing their new work Lands End
Moderated by David Jobling
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David Jobling
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